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Orphan Works proposal in debate-doubts now multiply

The future of the orphan works proposal that seemed like a reasonable approach earlier in the season is now rather in doubt. The problem of the visual arts now looms rather larger than it did early on. That is, the search for the holder of a copyright in a drawing, photo, print, sculpture, or other image is much more difficult than for textual or titled works, which can be entered in searchable registries. Printed textiles are a particular concern. They are often counterfeited abroad and imported back into the U.S., raising the possibility that the copies, lacking a copyright notice, will be represented as orphans and copied in turn, with each copy then becoming susceptible to further copying. One solution might be to confine the effect of the rule, for now, to textual works (including music). This is, however, not very satisfying since there are so many images combined with text.

My take is that the support of my colleagues for the "reasonable search" concept notwithstanding, there are real problems here. Anyone care to respond?

posted by Solveig Singleton @ 1:25 PM | Access: Commons, Fair Use, Orphan Works, Public Domain

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I’ve been reading and thinking about this issue for the last few days. My thoughts are that skillful copyright registration will virtually eliminate a work falling into the “orphan” classification. Of course, the first thing I hear is that many artists cannot afford to register the copyright on every piece, which is a reasonable objection. However, if they can’t afford to register each piece, they probably CAN afford to register groups of works (published or unpublished) under logical groupings.

The goal would be to make sure all the work would be found during a “reasonable good-faith search” - so, perhaps registering sets using a web site URL with images of each piece in the set as the registration name would work. For instance, www.artistname.com/registrationset would be a page with images of each piece of work contained in that set, making it easier for a reasonable good-faith search to find works that were registered as part of a compilation. The “registrationset” title would need to be logically descriptive of the set of work – which will be challenging, but far from impossible.

When artists say they can’t afford the time or the money to register work at all, I respond “so, how does the proposed change in the law make any difference?” Right now, if a work is unregistered and gets infringed, the limitations on damages are practically the same as under the proposed legislation.

I’m optimistic that new registries and technologies for visual arts may become available – motivated by the fear of works becoming orphaned. For instance, Google might offer a registry for visual works with a $5/piece fee (or even free) - much less than the $45/registration at the © office. Sure, a Google registration won’t have the legal protections of a registered copyright, but it might become a de facto standard for a “reasonable good-faith search.”

Finally, motivating artists to do a better job of marketing themselves (thus making it harder for a reasonable good-faith search to FAIL in the attempt to find the creator of a work) is a good thing for everyone.

Posted by: Kevin Houchin, Esq. at September 27, 2006 4:04 PM

I am not sure that I understand the comment to the post, but it appears to rely on a fundamentally erroneous assumption. There is no technology currently available anywhere in the world that permits searching of visual images, particularly outside of the photographic context. (keep in mind that most visual art is not digital -- for example, paintings, cartoons, and textile designs are created on paper). Without such technology, a manual search is pointless - for example, a single wallpaper company will have thousands of copyrighted abstract designs. Further, a text-based search, based on a description of the design, does not work as a practical matter, because no two people will describe a design in the same manner. Moreover, visual art is not medium-specific - just because the design is on wallpaper doesn't mean the creator was the wallpaper company - the wallpaper could be a knock-off of a textile design, a dinnerplate design, a wrapping paper design, and so on - as a result, even if there was a searchable database of wallpaper designs, that doesn't solve the problem.

Posted by: MG at October 4, 2006 10:08 AM








 
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