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Nick Gillespie of Reason has a piece (still looking for a link) on the recent court decision ruling that companies that "clean up" movies like Titanic (specifically, Kate Winslett's breasts) are violating copyright. His take:
By all accounts, the CleanFlicks-type outfits weren't ripping off Hollywood in any way, shape, or form—they were paying full fees for content—and they weren't fooling anyone into thinking their versions were the originals; the whole selling point of CleanFlicks' Titanic is that it spared audiences the original movie's brief moment of full-frontal Winslet. CleanFlicks was simply part of a great and liberatory trend in which audiences are empowered to consume culture on their own terms—not the producers'.
I haven't had a chance to read the opinion yet, being deeply embroiled in patent issues, but
it strikes me that the court decision was correct, and I must respectfully disagree with Nick. Copyright often draws a line between manipulation for personal use by the audience and the same manipulation for profit by an intermediary. This is a somewhat arbitrary line, but it does need to be drawn somewhere, and is less murky than other aspects of fair use, such as deciding whether too much of the copyrighted work had been used.
For one thing, copyright is doing some work keeping distortion out of the marketplace of ideas here. This isn't immediately clear in examples involving entertainment such as music and movies, already heavily edited and manipuated in the production process; what is one cut more or less? But this issue first came to my attention in the dispute arising in Kansas between supporters of "intelligent design" and supporters of evolution. Kansas education administrators had edited the science textbooks so as to present evolution as a disputed theory. The science board which owned copyrights believed that the changes exaggerated the controversial nature of evolution to an unacceptable degree, and withheld permission to publish the texts until the educators backed down. It seems to me this option needs to be open to copyright holders to prevent subtle mischief from being done, a sort of mischief that is not threatened when small sections of works are quoted in part for criticism.
posted by Solveig Singleton @ 12:48 PM | Access: Commons, Fair Use, Orphan Works, Public Domain
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