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06.22.2006 (previous | next)
Building Fences on the Internet Open Range

In Montana, if you don't want cattle in your garden, you must fence them out. It is not the stockman's responsibility to build a fence to keep them on the open range.

Roughtype discusses the Internet equivalent, with links -- what happens when material is available for a fee, but is also readily accessible by any browser? If someone links to it, must a takedown notice be honored? And if yoiu just download it, have you swiped it?

My inclination is to say that the ethic of the Internet, as it has devleoped in practice, is that if you don't want your material taken freely then you must protect it -- build a fence around your yard, in Montana parlance.

But riddle me this: What about a Creative Commons license? If such material is made freely available, and I download it, should I be bound by an authorial injunction that I not incorporate it into a commercial work? If your answer is "yes," then why should that term be given effect, but not a term that says "do not download this unless you send me $2.00"?

If one thinks that unfenced commercial work is in all essentials now in the public domain, shouldn't the same principle be applied to the Creative Commons? After all, while the CC is intended to reduce transaction costs, as I noted only yesterday, there are still several different licenses and layers of complexity; why should these be imposed on users unless the creator is willing to be serious enough about it to fence in the work and require agreement? And, of course, then how does this affect further dissemination?

Maybe one of my colleagues will tell me what to think.

posted by James DeLong @ 10:14 AM | Internet: P2P, Search Engines...

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Comments

I welcome CC because it empowers an artist to choose what rights will be withheld and what rights will be granted, and it does it transparently and in an easily searchable manner. But yes, those CC requests should be respected, just as Ira Glass and his team of creatives should be respected when they ask for payment for downloads of This American Life.

It should be noted the links in question weren't just any links. This American Life has a free stream on its site; someone used software to rip that stream and save it as a media file, and it was to those ripped files -- comparable to the downloads This American Life charges fore -- that the links went. In other words, This American Life had a fence up. It was a short fence, but it required work to surmount.

Posted by: Patrick at June 22, 2006 12:53 PM

CC works *are already* fenced -- they are protected by copyright. Period.

The only difference is that a CC license grants you, the user, rights *in addition* to those normally extended by fair use.

How is that a bad thing, either for authors or for readers? Nobody is imposing anything -- not on readers, not on authors.

As to your question about the fence of "do not download unless you send me $2.00," thats all fine and good. Shareware authors have been doing this for, oh, about 30 years now. Some with great success (the original winamp mp3 player was bringing in millions of dollars yearly for its creator in its heyday, with no DRM whatsoever -- just a "if you like this, please send $10 to address X" notice).

The only problem with the "do not download unless" fence is that browsers and networks "download" as part of their fundamental nature. So by the time I see the notice, my local browser already has a copy, stored locally on my hard drive. And all the web proxies between me and the source had a chance to cache the content as well.

If you want a fence that protects against this, it isn't that hard to make one. Take a look at the iTunes sight, audible.com, etc. You can prevent the download with or without DRM. Patrick's TAL example demonstrates that.

Posted by: mispoint at June 22, 2006 1:40 PM








 
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